Voice Coach

Making the most of your amazing voice

Your voice carries your character’s story. It helps bring them to life, and it’s often a key part of why you were cast in the first place.

My role is to help you release tensionand habits that may be holding you back, creating space for more range, ease and power.

Together, we’ll reconnect with a voice that feels grounded, expressive and fully available to the work.

The image shows an empty theater with purple seats. A woman with red hair tied back is standing near the seats, observing a person on a stage. The stage is circular with a person standing at the center, and a large oval structure is hanging above the stage, part of the theater's modern stage design.

Ways to work together

Delivered online & in-person

Supporting Young Voices

Three women standing side by side in front of a black curtain, each with a red clown nose, striking playful poses.

With my wealth of experience teaching and working with children, I specialise in coaching young performers. I regularly coach accents, run workshops and provide on-set and production support for kids.

Whether your child is tackling a new accent, working through a tricky one for an audition, or simply needs support finding confidence in their voice, I can help.

I also work with agents, directors and youth theatre companies to provide specialist voice and accent coaching.

The scene shows a theatrical performance with several women dressed in vintage or historical costumes. One woman is handcuffed and raising her hands, while others are standing or sitting around her, engaging in intense expressions and interactions.
Two women are sitting on a couch, engaged in a conversation in a room with blinds and a corner wall. One woman, wearing a hat, a sleeveless denim vest, and a floral skirt, is speaking animatedly. The other woman, wearing glasses, a headband, a white top, and dark pants, is listening. There is a small drink on the floor nearby and a striped barrier in the foreground, indicating the photo was taken from a staircase or elevated position.
Two women standing in front of bookshelves in a library, one reading a book and the other looking away with hands on hips, black and white photo.
Group of six diverse young adults sitting and standing on a subway bench inside a subway station, smiling and posing for a photo with a sign above indicating they are finalists for the Fringe Theatre Awards.
A man with a beard and sleeveless shirt and a woman with curly hair and a tan jacket face each other closely, holding hands in an emotional moment.
  • "Her wealth of experience as a performer means that she really understands actors and their needs - striking just the right balance of theoretical understanding, experiential learning and practice. Sessions with Beth are always fun, engaging and supportive - I cannot recommend her highly enough!"

    Jack Quarton
    Actor
    Into The Woods (The Bridge) & The Curious Case of Benjamin Button (West End/Southwark Playhouse)

  • "Beth is both a brilliant actor and voice coach. I have worked with Beth on ‘The Welkin’ at Rose Bruford, where she not only led British students in learning a West Country accent, but also introduced the accent to American students for the first time. Beth also provided vocal coaching to my recent production of ‘BIOSPHERE’ at Royal & Derngate, where her insights ensured vocal support and safety for the actors during an intense show. I highly recommend her expertise for any forthcoming productions!"

    Olivia Munk

    Director

    Artistic director of Part Of The Main productions

  • “Beth was warm and put me at ease immediately; there was no feeling of embarrassment at where you may be starting from with an accent, and she just constantly encourages you to try. Not only does she clearly put a lot of effort beforehand into gathering useful references, examples, and the anatomical/technical placement of an accent, but she will also impressively demonstrate the accent from start to finish of the call. I didn't get that job but I came close and I know I would have stood no chance without Beth's help. I will absolutely be booking more time with her whenever I need to learn a new accent or to hone one I already feel pretty good at.”

    Hollie Sullivan
    Actor
    The Mousetrap (West End), Waking the Dead (BBC)

  • "Beth's attention to detail, research and positivity, along with her tailoring to the client’s needs, have made learning accents not only easier, but a joy."

    Emma Naomi
    Actor
    Bridgerton, Death in Paradise, Professor T., National Theatre, Bristol Old Vic

  • "Beth is the perfect person to guide you through accents and voiceover work. She shared her expertise and gave me invaluable tips when I was preparing for the recording of my audiobook. Her advice is straightforward and accessible, yet delivered with friendliness and warmth. I highly recommend her services."

    Emma Lowther
    Writer & Comedian
    Debut novel Fellow Creatures scheduled to be published May 2026

  • "Beth Lilly is fantastic. Very detailed and specific. Makes a difficult or transformative accent accessible and does so in a positive and joyful atmosphere"

    Harry Kershaw
    Actor
    Royal Court, National Theatre & Co-Creator of Mischief Theatre

  • "Working with Beth was INVALUABLE. She made me feel like a natural at an accent I’d never had to perform before. Beth not only worked with me one-one-one, but provided references and resources I could return to when refining my accent work. Her attention to detail and warmth as a teacher is absolutely brilliant”

    Lucy Farrett
    Actor & Comedian
    IDEAL, Sally4ever

  • “I’m so glad I had a session with Beth to help me with a tricky accent for an audition. She was incredibly well-researched, made me feel completely comfortable trying unfamiliar sounds, and prepared excellent resources for me to then work on independently. I went in feeling confident and prepared and will definitely work with her again”

    Rosalind Lailey
    Actor & Voice Artist
    Audible, The Watermill, Jerymn Street Theatre

  • “Staging a complex and dialogue-heavy play such as The Welkin presents clear challenges, particularly in maintaining pace and clarity. However, the cast rose to this challenge admirably, delivering lines with precision and intention."

    National School Theatre Awards, The Welkin, St Paul’s Girls’ School

  • "Working with Beth as a Vocal Coach was an absolute dream. She was calm, patient and really took the time to figure out how best to help me with my accents for a show without overwhelming me. Beth is such a positive asset to any team she joins and I would not hesitate to give my recommendation in hiring her as a vocal coach."

    Natasha Vasandani
    Actor
    Horrible Histories, Steel Town Murders (BBC)

  • "I recently had a one-to-one with Beth for a St. Louis accent for a last minute audition, and I was surprised by the level of preparation, detail and specificity Beth put into her research before the session had even taken place. The coaching was friendly and encouraging throughout, and while it was just one session, I came away with a solid foundation to keep building on. I look forward to coming back to Beth for more help with accents in the future. Highly recommend!"

    Meghan O’Loughlin, Actor

  • "I had a great American accent session the Beth. I was so impressed by how much thought and preparation had gone into the class, from the tongue placement diagrams, to the way different sounds and groups of words were broken down, to using videos of celebrities and analysing how they speak. It made everything really easy to understand and apply. She created such a supportive, relaxed atmosphere, and we had great energy throughout. I would definitely recommend her to anyone looking to develop their voice or accent work."

    Renako McDonald
    Dancer/Choreographer
    Wicked (Universal Pictures), Blitz (Steve McQueen), Cirque De Soleil

  • "I reached out to Beth for help with my first audiobook that contains LOADS of accents. And couldn’t have picked a better person! Working with Beth has been an utter delight. She is calming, joyous and so knowledgeable! She’s found easy ways for me to access a multitude of accents in a short space of time that are so specific to me. I now have Yorkshire, Swansea and Geordie under my belt! She goes into incredible detail about the geography, the kit list, and dialects of each one, and yet makes it all so easily digestible. It has been such a wonderful experience. Highly recommend her to everyone looking to nail accents, and anyone looking for audio work. I have loved working with her and now feel super confident to walk into the studio and nail it."

    Evangelien Beaven
    Actor
    Testament (Angel Studios)

Clients & Experience

Show Support
MeatCute (The Other Palace), The Welkin (Rose Bruford/St Pauls for Girls) Biosphere (Royal&Derngate), Funny Though (Edinburgh Festival), The Super Model in the Caff (The Hope Theatre, The Cockpit), Cockfosters (Southwark Playhouse) Lost Dimensions (Bearded Kitten), School for Scandal (Fort Lovrjenac, Dubrovnik)

Film & Theatre
Acting clients include…Emma Naomi, Renako Mcdonald, Elizabeth Colwell, Harry Kershaw, Lucy Farrett, Nathalia Duerte, Rosalind Lailey, Natasha Varsandi, Charlie Cain, Emma Lowther, Jack Quarton, Poppy Allen-Quarmby, Emily Waters, Tom Bulpett, Evangeline Beaven, Natalia Campbell, Benjamin Steffan

Kids Agencies
Stagebox, PTC Management, Stagecoach

Drama Schools/Training
Drama Studio London, Rose Bruford, AKTA, The Bridge Theatre Training Company

Shadowing
Conor Fenton – Outlander: Blood of My Blood
Kay Welch – The Comedy About Spies (West End)
Judith Phillips – The Play That Goes Wrong (West End)

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Let’s work together

Voice-Over Artist

Voice Coach

Audition Prep

Vocal Injury Advice

Show Support

Clown

On-Set Coach

Actor

Accent Geek

Corporate Coach

Voice-Over Artist • Voice Coach • Audition Prep • Vocal Injury Advice • Show Support • Clown • On-Set Coach • Actor • Accent Geek • Corporate Coach •